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This piece is a raw energetic considered piece that aims to toy with ideas between poetry, abstract, and gesture. The work is inspired by environmental crashes and widespread panic, and the current feeling of being trapped inside a chaotic space, notice the exit route in the border of the piece, suggesting the viewer can simply, look elsewhere, away from the chaos. The piece uses a range of materials all selected for the mark they make individually, charcoal, a favorite material of mine, crushes with force when used to scrawl disjointed poetic segments within the composition.
This piece is a raw energetic considered piece that aims to toy with ideas between poetry, abstract, and gesture. The work is inspired by environmental crashes and widespread panic, and the current feeling of being trapped inside a chaotic space, notice the exit route in the border of the piece, suggesting the viewer can simply, look elsewhere, away from the chaos. The piece uses a range of materials all selected for the mark they make individually, charcoal, a favorite material of mine, crushes with force when used to scrawl disjointed poetic segments within the composition.
This piece is a raw energetic considered piece that aims to toy with ideas between poetry, abstract, and gesture. The work is inspired by environmental crashes and widespread panic, and the current feeling of being trapped inside a chaotic space, notice the exit route in the border of the piece, suggesting the viewer can simply, look elsewhere, away from the chaos. The piece uses a range of materials all selected for the mark they make individually, charcoal, a favorite material of mine, crushes with force when used to scrawl disjointed poetic segments within the composition.
This piece is a raw energetic considered piece that aims to toy with ideas between poetry, abstract, and gesture. The work is inspired by environmental crashes and widespread panic, and the current feeling of being trapped inside a chaotic space, notice the exit route in the border of the piece, suggesting the viewer can simply, look elsewhere, away from the chaos. The piece uses a range of materials all selected for the mark they make individually, charcoal, a favorite material of mine, crushes with force when used to scrawl disjointed poetic segments within the composition.
This piece is a raw energetic considered piece that aims to toy with ideas between poetry, abstract, and gesture. The work is inspired by environmental crashes and widespread panic, and the current feeling of being trapped inside a chaotic space, notice the exit route in the border of the piece, suggesting the viewer can simply, look elsewhere, away from the chaos. The piece uses a range of materials all selected for the mark they make individually, charcoal, a favorite material of mine, crushes with force when used to scrawl disjointed poetic segments within the composition.

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View In My Room

Work 35 'Divinity In Danger' Painting

zoe palmer

United Kingdom

Painting, Acrylic on Canvas

Size: 44 W x 32.5 H x 0.1 D in

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$620

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135 Views

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ABOUT THE ARTWORK

This piece is a raw energetic considered piece that aims to toy with ideas between poetry, abstract, and gesture. The work is inspired by environmental crashes and widespread panic, and the current feeling of being trapped inside a chaotic space, notice the exit route in the border of the piece, suggesting the viewer can simply, look elsewhere, away from the chaos. The piece uses a range of materials all selected for the mark they make individually, charcoal, a favorite material of mine, crushes with force when used to scrawl disjointed poetic segments within the composition.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

44 W x 32.5 H x 0.1 D in

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Zoe Palmer is a multidisciplinary artist born and schooled in Birmingham, United Kingdom. With a background in Fashion Design and conceptual art, she moved to London to study Fashion Design at the prestigious Westminster University, under a platinum scholarship. Interested in exploring new mediums, Zoe began studying Digital Arts at the Goldsmiths University of London where she explored digital media and fine art critical theory and completed a thesis focusing on animality in contemporary art practice - through which Zoe explores the field of human ecology and what it means to be human through her visceral and raw art practice. Zoe is currently pursuing an experimental abstract expressionist painting and writing practice in London that focuses on unconscious artistic energy, emotional confessionary writings, and naive style mark-making and drawing.

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