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"Form / Perception" Photograph - Limited Edition of 20

→ Shuzo Takechi, Japan

Photography, Color on Paper

10.7 W x 16.1 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$257

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Jul. 16, 2025, 18:05:39 Was it form I saw then, or a sign? Something that happened not just in an instant, but before it. What appears here—was it from that moment, after it, or somewhere in between?

Year Created:

2025

Subject:

Mediums:

Photography, Color on Paper

Rarity:

Limited Edition of 20

Size:

10.7 W x 16.1 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Japan.

Need more information?

Contact us.

Need more information?

Contact us.
Shuzo Takechi

About the Artist

Shuzo Takechi

Japan

Since 2021, I have been primarily creating photographic works.

---

There is only form.
Nothing else.

Meaning and recognition may come afterward.
Sometimes I think about what lies beyond them.

And yet, there is only form.
Nothing else.

---

It seems that conscious perception cannot exist without language, imagery, or frameworks of categorization.

At times, I feel as though I have sensed something like a sign that precedes perception.
Unstable forms, irregular viewpoints, addition and subtraction, editing.
Various attempts may guide us toward the threshold of such signs.

And yet, cultural codes surely do not allow this.
They subordinate perception to meaning.

When Monet sought to capture the fluctuations of light and atmosphere,
when Cézanne accumulated fragments he called “sensory facets,”
when Kandinsky and Mondrian rigorously excluded the object and established abstraction—

ironically, these were moments in which new cultural codes were created,
and there is no way of knowing whether they ever truly encountered the signs themselves.

And yet, form is still there.
It simply is.

Recognition:

  • Artist featured in a collection

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