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"Tree Schism" Print - Limited Edition of 20

→ Bob Holmes, United Kingdom

Printmaking, Digital on Paper

16.5 W x 23.4 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$300

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This digital painting and collage imagines London as a union of city and nature. A giant human figure made of trees, water, and plants stands at its center, symbolizing humanity’s bond with green spaces. Seasonal landscapes fill the figure’s form, while London’s skyline appears in the background, co...

Year Created:

2025

Subject:

Mediums:

Print, Digital on Paper

Rarity:

Limited Edition of 20

Size:

16.5 W x 23.4 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Bob Holmes

About the Artist

Bob Holmes

United Kingdom

I began my journey as a young, fresh-faced printmaker and painter by studying traditional classical techniques during my time at art college. These methods were taught to me by established working artists. After graduation, I continued along a similar path, teaching these tried-and-tested methods to students in a very similar environment. It seemed like a natural progression, a familiar, well-trodden career choice.

Several years later, through some convoluted circumstances, I found myself on a very different trajectory, moving into full-time digital design. It paid the bills and was enjoyable, but never quite satisfied my deeper creative impulse. I always continued to draw, paint, and make prints in my spare time, but deliberately kept my day job and my ‘hobby’ separate.

Over the past few years, I’ve been attempting to revive my art practice. This has been my primary focus. I’ve often found it pretty challenging, especially in today’s crowded stage, where artists are expected to balance studio work with marketing and self-promotion. It was, though, a bit of a revelation to me when I realised that the digital skills that I had acquired might now integrate nicely with the traditional methods I already knew. Instead of trying to separate them, I embraced the merger. With this newfound freedom, I’m now working across media and experimenting with different materials.

I’ve always been fascinated by the relationship between people and the natural world, particularly how badly we abuse our planet. Through metaphor and recurring motifs, using figures, plants, animals, and landscape elements, I hope to create work that seems quietly seductive at first glance, that, upon closer scrutiny, reveals something more disquieting and thought-provoking.

Ultimately, my artworks invite viewers into worlds that are both familiar and mythical, encouraging us to reconsider our place within nature as participants in a delicate, shared existence.

I was extremely grateful and honoured to be elected as an Associate Member of the RE: Royal Society of Printmakers in 2026.

In 2026, I was also awarded the prestigious Printmaking Today Prize, recognising excellence in contemporary printmaking.

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