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"Completeness" Outdoor Sculpture

→ María Eugenia Piacentini Veron, Spain

Sculpture, Relief of Ceramic

5.9 W x 9.1 H x 2.8 D in

Ships in a Box

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$1,025

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


El camino de la vida puede esconderse entre escombros, muros, laberintos, armaduras, horizontes, construyendo y deconstruyendo ese poema vertical de ángulo recto que busca al fin y al cabo el equilibrio.

Year Created:

2014

Subject:

Method:

Sculpture, Relief of Ceramic

Rarity:

One-of-a-kind Artwork

Size:

5.9 W x 9.1 H x 2.8 D in

Ready to Hang:

Not Applicable

Mounting:

Free-Standing

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

Yes

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.

María Eugenia Piacentini (Buenos Aires, 1981), self-taught
from a young age, is driven to create and transform in
boundless spaces, captivated by materializing ideas from
her mind. She trained in Applied Arts for Sculpture at
Escuela de Arte La Palma, Madrid, and in ceramics
at Escuela de Cerámica Francisco Alcántara, after
working in theater and film special effects makeup.
She has exhibited individually and collectively in Mallorca,
Madrid, Teruel, Valladolid, Zaragoza, Ourense, Rome, Miami,
Paris, Zurich, Singapore, Coburg, and Munich, earning
four finalist recognitions for ceramic work in Spain and
Australia (Beatiful Bizarre Art Magazine).
Piacentini: “Art awakens us from a deep sleep, thrusting us
free and aware into a world that often seems otherwise.”
Influenced by Carl Jung, Joseph Campbell, and surrealism,
she uses ceramics for its spontaneity, letting the work flow
naturally, perhaps chasing or confessing existential doubts.
Her art reflects a cultural and social milestone, manifesting
the subconscious and a shared realm of magical ideas.
Reality speaks through synchronicities and meaningful
dreams, urging her to explore further. Her bold, realistic,
and expressive sculptural approach seeks to captivate
and awaken her audience.

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