"Beli" Drawing
Drawing, Graphite on Paper
28.7 W x 35.4 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$2,886
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
I use drawing as a means of exploring memory and its fleeting nature. My practice is rooted in a long experience of distance and separation from my place of origin, which has shaped my relationship to images and what they convey. I often start with photographs—personal or anonymous—which I reinterp...
Year Created:
2020
Subject:
Mediums:
Drawing, Graphite on Paper
Rarity:
One-of-a-kind Artwork
Size:
28.7 W x 35.4 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Albania.
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Rozalinda Gjetja is a visual artist working primarily in engraving and drawing, with a particular focus on graphite and charcoal. She studied at the Académie Royale des Beaux-Arts de Bruxelles, where she completed a Bachelor’s degree in Visual, Plastic and Spatial Arts and later a Master’s degree specializing in engraving.
Her practice explores memory, absence and the instability of images. She often begins with photographs, which she alters through erasure, fragmentation and transformation, allowing the original image to gradually shift into something less certain. More recently, her work has moved beyond specific memories towards sensations, dreams and imagined images. Small and seemingly ordinary moments — light passing through leaves, a change in the atmosphere, shadows, textures or the feeling of a place — can become starting points for her drawings.
Rather than trying to recreate reality exactly, she is interested in what happens when an image becomes incomplete, distant or open to interpretation.
Her work has been presented in group exhibitions in Brussels, including exhibitions at the Fondation Boghossian, the Académie Royale des Beaux-Arts de Bruxelles and Jill Hotel.
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