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Drawing, Charcoal on Paper

19.7 W x 27.6 H in

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$1,200

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The drawing 'Entanglement' shows entangled bodies (logically...). Delicate yet powerful pencil lines, charcoal marks and tempera shades reform the figures and blur the distinction between the bodies. The blurred contours and overlapping limbs symbolize the way closeness can make one lose track of wh...

Year Created:

2024

Subject:

Mediums:

Drawing, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 27.6 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

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Dick Van Dijk

About the Artist

Dick Van Dijk

Netherlands

Dick van Dijk is a passionate artist with an expressive style. His work consists of a dynamic interplay of human forms, existing within the abstract, through which he explores themes of proximity and intimacy. Dick compares the process of painting to collage: assembling, adapting, de-constructing and reconstructing. This creates fleeting moments of embrace, touch and other of sensory experiences, full of incident and surprise. Through painterly discoveries during the working process, he keeps adding new elements and dynamics. The results are layered images of freedom and surrender, close to the skin and seen through the lens of memory and expectation.

As a recurring motif, he paints group portraits with figures standing (…lying/hanging…) so close together that their shapes seem to merge, with blurred contours and overlapping limbs, in loose brushstrokes and subtle tonal shifts, making it difficult to determine where one figure ends and another begins. But that ambiguity is precisely the point, symbolic of the way proximity can cause you to lose track of whose body belongs to whom, where the self and the other become intertwined. Most of these works start relatively simple and restrained with one central figure, but soon figures are added, changed or removed. With expressive brushstrokes, he blends reality and imagination into dynamic layered compositions.

In addition to these group portraits, Dick also paints individual portraits with faces that have been ‘sculpted’ until they feel alive, animated and powerful. Layers of paint leave traces of what came before - remnants of earlier decisions that make the final image richer. By deliberately disrupting the clarity of a portrait, Dick introduces distance, a visual barrier that makes the subject feel both close and slightly out of reach.

Artistic Influences
Dick draws inspiration from renowned painters such as Peter Doig, Cecily Brown, Marlene Dumas, and El Greco. He also deeply admires the work of Michaël Borremans, Francis Bacon, and Luc Tuymans, whose artistic approaches resonate with his own exploration of form, gesture, and the human condition.

Recognition:

  • Artist featured in a collection

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