"I Am Many" Drawing
Drawing, Ink on Paper
24 W x 26 H in
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$2,280
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ABOUT THE ARTWORK
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Before the self stabilizes, it fragments. I Am Many extends Cheyenne Sandoval’s Existence Series into multiplicity, identity not as a singular form, but as a field of competing faces, signals, and internal echoes. Constructed in ink and watercolor on paper, this contemporary figurative abstract work...
Year Created:
2023
Subject:
Styles:
Mediums:
Drawing, Ink on Paper
Rarity:
One-of-a-kind Artwork
Size:
24 W x 26 H x 1 D in
Ready to Hang:
No
Frame:
Not applicable
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Canada.
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What happens when lost relics are not left behind but transformed, a remix of history and identity in vivid, tactile form.
My practice breathes new life into discarded antiques and sacred objects, weaving intricate patterns onto surfaces once fixed in meaning. Each mark is both reverence and rebellion. I select materials with history, abandoned saints, worn furniture, fragments of spiritual spaces and coax them toward the present, overlaying with geometric and organic pattern work that disrupts and animates. These are not just objects reborn; they’re stories unlocked. The work stands in liminal space, where past and present, tradition and innovation, intersect. For me, each sculpture is a tiny act of resurrection: a queering of sacred forms, a reclamation of narrative, a subtle ripple of personal experience. Disability isn’t concealed, it’s woven into process, visible in care and attention.
These layers invite viewers not to observe, but to enter. To see their own reflections in the interplay of light, color, memory, and myth.
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