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A quickly done drawing, using graphite crayon and watercolour.


In the late 18th century, students in Jacques-Louis David's studio followed a rigorous program of instruction. Mastery in drawing was considered a prerequisite to painting. For about six hours each day, students drew from a model who remained in the same pose for one week.[5] "Eighteenth-century drawings, like that attributed to Jacques-Louis David, were usually executed on tinted paper in red or black chalk with white highlights and a darkened ground. The models' poses tended to be active: standing figures seem about to stir and even seated figures gesticulate dramatically. Close observation of the model's body was secondary to the rendering of his gesture, and many drawings - consistent with academic theory - seem to present a representative figure rather than a specific body or face. In comparison, academies produced in the nineteenth century [...] were typically executed in black chalk or charcoal on white paper and are meticulous depictions of the particularities and idiosyncrasies of the body of the live model. Evidence of the artist's hand is minimized and, although reclining or seated poses are rare, even standing poses are comparatively static..." [6] Before the late 19th century, women were generally not admitted to figure drawing classes.[7]
source: Wikipedia
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Life Drawing C233 Drawing

Gabriele Maurus

Canada

Drawing, Graphite on Paper

Size: 5.9 W x 7.9 H x 0 D in

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$230

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About The Artwork

A quickly done drawing, using graphite crayon and watercolour. In the late 18th century, students in Jacques-Louis David's studio followed a rigorous program of instruction. Mastery in drawing was considered a prerequisite to painting. For about six hours each day, students drew from a model who remained in the same pose for one week.[5] "Eighteenth-century drawings, like that attributed to Jacques-Louis David, were usually executed on tinted paper in red or black chalk with white highlights and a darkened ground. The models' poses tended to be active: standing figures seem about to stir and even seated figures gesticulate dramatically. Close observation of the model's body was secondary to the rendering of his gesture, and many drawings - consistent with academic theory - seem to present a representative figure rather than a specific body or face. In comparison, academies produced in the nineteenth century [...] were typically executed in black chalk or charcoal on white paper and are meticulous depictions of the particularities and idiosyncrasies of the body of the live model. Evidence of the artist's hand is minimized and, although reclining or seated poses are rare, even standing poses are comparatively static..." [6] Before the late 19th century, women were generally not admitted to figure drawing classes.[7] source: Wikipedia

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:5.9 W x 7.9 H x 0 D in

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°°°°°Painter°°°°°°Collagist°°°°°°Synästhetin°°° Each of my works represents a single moment in my life and can not be reproduced. Recipient of the working artist award / http://workingartist.org/ ArtAscent 2021 Garden Feature: Distinguished Artist ArtAscent 2021 Connection Feature: Disting. Artist Art Show International Jan. 2022: I won the Finalist Award Art Show International June 2022: I won one of the TALENT PRIZE AWARDS The "11th ABSTRACT" art competition Febr 2024 @ Teravarna: I won the TALENT PRIZE AWARD

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