VIEW IN MY ROOM
Muscle #6 Drawing
Serbia
Drawing, Ink on Paper
Size: 20.1 W x 7.1 H x 0.1 D in
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About The Artwork
The main subject of my art is the body. The forms observed in my works are most often viewed from strange angles or in motion. For this reason, using a live model would be practically impossible. I rely completely on photographs to work. The positioning of faces and body parts can allow for variety. It can be characterized in many ways, including the following. Asimmetry. Angles deriving from the usual depictions, or seldomly utilized focal points. Movement. At times, movement can be slight, but from this stronger and more apparent motion can develop. The realisation of this can be in our thoughts, in our imaginations. These positions are the moments before a so-called explosion. The moment that contains the most latent energy.
Details & Dimensions
Drawing:Ink on Paper
Original:One-of-a-kind Artwork
Size:20.1 W x 7.1 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Serbia.
Customs:Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.
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Serbia
I reconstruct and transform idealized visual codes from the great historic eras. I attempt to follow the changes they go through, manipulate them and with them, from a more distant position, in terms of time and history. At times, I play with the canons of the past, treating them with nostalgia or irony, aware of their changeability and instability. To achieve this, I use the tools of the movements of the margins, often using spray paint and other materials for expression that are favoured by these movements. My hope is to establish a sort of meeting between seemingly opposing esthetic and art strategies in my works. The turn of the century and the culture of street art, two very distant and, at first glance, different worlds meet and intertwine in my works. I attempt to find the connections between the past and the present – their parallels and collisions.
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