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"PIKE PLACE — DISTILLED" Artwork

→ Ray And Nia, Thailand

Mixed Media, Thread

23.3 W x 15.8 H in

Framed, Ready to Hang

$1,765

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


The same place, reduced to its essence. Forms remain, but color and atmosphere become more concentrated. The scene feels compressed, as if memory has filtered out what is unnecessary. A refined reconstruction through controlled stitching.

Year Created:

2026

Subject:

Mediums:

Mixed Media, Thread

Rarity:

One-of-a-kind Artwork

Size:

23.3 W x 15.8 H x 0.7 D in

Ready to Hang:

Yes

Frame:

Brown

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Thailand.

Need more information?

Contact us.

Need more information?

Contact us.
Ray And Nia

About the Artist

Ray And Nia

Thailand

Ray and Nia are textile artists based in Bangkok, Thailand, and partners for over ten years.

Our work begins with photography. We capture landscapes and places that stayed with us—often quiet moments encountered while living in unfamiliar environments. These images are not reproduced directly, but reconstructed through embroidery, allowing thread to rebuild the scene slowly over time.

Using manual stitch mapping and industrial embroidery machines, each piece is carefully constructed with close attention to density, direction, and structure. This process allows thread to recreate light, atmosphere, and depth while introducing its own physical limitations. The tension of the thread subtly shifts the surface, creating small distortions that reflect the way memory itself changes over time.

Rather than preserving the photograph as an exact record, embroidery allows us to translate how the place felt when we experienced it. Certain details become clearer, while others soften or disappear. The image is shaped not only by what was seen, but by what remained emotionally present.

Embroidery is inherently slow and accumulative. Each stitch contributes to the final surface, embedding time into the work itself. Through this process, thread becomes both image and structure—holding moments that no longer exist in the same way, but continue to live on through memory.

Our work explores how landscape, material, and memory intersect, transforming personal experiences of place into physical, tactile form.

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