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"Alejandro In Wonderland" Painting

→ Brenda York, United States

Painting, Oil on Canvas

18 W x 24 H in

Ready to Hang

$1,134

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


I have painted some very peculiar twists on my favorite childhood fairy tales and maybe a few you've never heard of! (Have I mentioned that I really love the dark side of fairy tales?) So in this piece, Alejandro has replaced Alice and the rest is history! Enjoy!

Year Created:

2010

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

18 W x 24 H x 1.5 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Brenda York

About the Artist

Brenda York

United States

As far back as I can remember, I have drawn and painted faces. In fact, there is much evidence pointing to the fact that I spent an inordinate amount of time drawing Sister Mary Francis in 3rd Grade instead of paying attention to her in math class.

All my paintings start out as tiny little sketches in my Moleskine sketchbook. I do tons of 2” thumbnail sketches every week, so when it’s studio time I always have plenty of starter ideas to work with. All of my paintings come from my imagination but I find plenty of inspiration in real life—it’s stranger than fiction!

My most recent work is acrylic, collage and graphite and my color choices are mostly instinctual. I almost always start with complementary colors—I love the tension that occurs with colors that are opposites on the color wheel. In the final stages of a painting, I will try to repeat colors and I often use glazes to pull together a composition and create harmony. I always paint on black gessoed canvas—color is just so much more vibrant and rich than painting on a white surface.

And the math that I daydreamed through in 3rd Grade now shows up in my paintings as “pretend equations” and symbols scratched into the backgrounds or drawn on top of the paint. Sister Mary Francis would be so proud.

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