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Painting, Acrylic on Canvas

47.2 W x 35.4 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

$4,740

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


My work was made In a context of informalism, of the search of its own significance and the inexistence of rules, of existentialism as the solitude of the individual and the mysticism of the authentic exploration of its authentic essence

Year Created:

2020

Subject:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

47.2 W x 35.4 H x 1.6 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Colombia.

Customs:

Shipments from Colombia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Marcela Ramirez-Aza

About the Artist

Marcela Ramirez-Aza

Colombia

My works access what can be called introspective territories described through color and abstract narrative. They are the emotional paths traveled, the fragmented areas of experience, which for me translate into fertile lands for creation.

Working, I become an observer, an Object/subject, who interprets my sensitivity in images and with an inner look I tell my story. And although in my creative Universe it seems that there are no predetermined rules, that each piece is autonomous and that each work acquires its own meaning in the process, each piece is linked to the concern for a specific social reality and is affected by it: the violence, inequality, crisis.

Paradoxically, the introspection that leads me to this intimate monologue also has the interest and intention of finding a pictorial language that connects me with the other, my neighbor; an investigation into how these themes intertwine with personal and collective history, it seeks to capture and express the complexities of the human experience.

This result of recognizing oneself in others is possible due to the certainty that despite the differences and discriminations in terms of species, race, religion, in general we have more sensitive points in common, emotions such as compassion, solidarity, aesthetic sensitivity. . , which unites us and unifies us as a species.
referents/ REFLECTIONS
Far beyond the need of expression, there is a liberating impulse of inner forces which drive me to creation, to the pictorial concretions of instants, that when materialized, seem to be eternal.
I feel that painting brings me closer to the creator essence of the gods because I sketch worlds whimsically, I make them emerge from the background of my canvas; I give expression to them with an essentially visceral, cathartic impulse. I invent spaces, and evade myself in gestures, textures and colors; I undo myself within the silence, I approach the universal language of the senses, the time.
Possibly the pathology of violence generates analogous artistic expressions in different times and places, which are a strong and intrinsic motivation to me, making my artistic activity in confinement, a palliative which allows me a survival loaded with emotional breakouts.

Recognition:

  • Artist featured in a collection

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