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Painting, Acrylic on Canvas

7.9 W x 11.8 H in

Ready to Hang

$825

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ABOUT THE ARTWORK

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With roots based in drawing, this collection of abstract work explores solidity, texture and form, produced using a limited palette allowing focus and direction. The paintings depict forms that at first glance appear quite solid, some even being walls of black paint, but on closer inspection give a ...

Year Created:

2024

Subject:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

7.9 W x 11.8 H x 1.6 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

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Stephen Whatcott

About the Artist

Stephen Whatcott

United Kingdom

The bold structural forms present in Stephen Whatcott’s paintings demonstrate instinctive mark-making while retaining a balanced composition.

Influenced primarily by punk rock and grunge music in his teens, and later by jazz, his work carries the mood and rawness of the former with the improvisational freedom of the latter. This serendipitous nature of the process acts as a guide when composing his work. The final image is therefore shaped by the unexpected events and adjustments encountered during the process.

The tension created within the picture plane is a crucial element of these paintings. Ranging from great, colossal walls of paint to more lyrical forms, the paintings develop through a constant dialogue between the existing marks and new decisions. The paintings are physical, both in technique and presence. Daily life shapes the process and the decisions made in the moment, but they resist narrative: nothing in them is illustrated or depicted. What's biographical is the process, not the picture.

What results is less a record of a single decision than of the negotiation that produced it. Each layer responds to the one beneath it, with instinct and structure in continuous tension.

Recognition:

  • Artist featured in a collection

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