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Painting, Oil on Canvas

19.7 W x 17.7 H in

Framed

$1,000

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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Inspiration from watching people on trains before and after work.Commuters have a learnt pattern that they all fall into. I try to represent the rhythm of people in the patterns and marks that the paint can make.I try and build this with the use of colours and create space.

Year Created:

2018

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 17.7 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Ivan Grieve

About the Artist

Ivan Grieve

United Kingdom

Grieve is a self taught artist who grew up in the Bohemian Sixties Camden. An Ambassador for the charity Outside In, part of a group of volunteers for the charity, to have been awarded The Queen’s Award for Voluntary Service.
He divides his time between being out in the landscape and back at his Devon studio. Grieve really values the importance of being out walking and sketching along the rivers and hills in South Devon throughout the year. A rendezvous with each of the Seasons as they come and go. He is equally happy wrapped up in waterproofs or conversely with a parasol. There are brief encounters with the passing, inquisitive walkers, however being in the landscape is what it is all about for him.
Artist Statement
Working with a range of materials Grieve develops surfaces through sensory expressions, that evolve into landscapes.
These landscapes are documented through sketches on site initially with “found material”, natural pigments. He may then add some charcoal, liquid graphite or pencil to add to the marks. Grieve also on occasion makes minor interventions with natural materials at the site to get in touch with the environment that he is working with. Returning to the studio he begins working on Fabriano paper using materials gathered from the landscape including feathers, clay, mud and leaves, adding studio materials and pigments including Bideford Black, Shellac and Gesso leading me to to build an expression of my experience in the landscape.
Due to the loss of our sense of place within the seasons and our rhythm with nature , I am wanting to document this in our changing landscapes, through repeated site visits over a year or more, building a visual dialogue.

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