"Cows" Photograph - Limited Edition of 25
Photography, Digital on Paper
24 W x 24 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$1,525
→ Shipping Included
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
I began working on the series Mid-Century UFOs in early 2020 during the start of the pandemic. To me it seemed as though the virus was an alien being that had fallen from the sky descending upon the planet creating havoc, fear and doubt. Making pictures of UFO sightings appealed to me as an apt meta...
Year Created:
2019
Subject:
Styles:
Mediums:
Photography, Digital on Paper
Rarity:
Limited Edition of 25
Size:
24 W x 24 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
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I picked up my first camera at age seven, my father’s simple Ansco Cadet. My interest in photography flourished throughout my adolescence.
My post-secondary education started at the University of Missouri, known for its journalism school. My intention was to major in photojournalism. One day, I summoned up the nerve to show the chairman of the department my portfolio. He brusquely commented that my photographs had a fine art bent and that art school would be a better fit.
The following year, I transferred to the Minneapolis College of Art and Design. Ironically, my art school curriculum gravitated towards filmmaking and creating sculptures that explored visual phenomena and perception. That work catalyzed my interest in the bourgeoning art and technology genre.
My fascination with visual perception carried over to my studies at the Massachusetts Institute of Technology. There I learned about the subject on a deeper level. I also learned, while participating in a class experiment, that I have monocular vision—an inability to perceive three-dimensional space. It’s no surprise I gravitated towards photography at an early age—I see the world much the same way a photograph appears. After earning my degree, I continued working at MIT as a research fellow and experimented with making virtual artwork, images that were only visible as fleeting afterimages.
Later, I entered the field of special effects and 3-D animation. I eventually became disenchanted with the work and returned to still photography.
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