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"Interest Rate." Photograph

→ Tina Sturzenegger, Switzerland

Photography, Color on Glass

12.4 W x 16.2 H in

Framed, Ready to Hang

$2,165

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Distorted Reality In today’s world, the boundaries between fiction and reality are dissolving, making it harder than ever to tell what is genuine and what is illusion. My photographic series captures authentic scenes subtly disrupted by unexpected intrusions — animals and food elements that never t...

Year Created:

2025

Subject:

Mediums:

Multi-paneled Photography, Color on Glass

Rarity:

One-of-a-kind Artwork

Size:

12.4 W x 16.2 H x 2 D in

Number of Panels:

4

Ready to Hang:

Yes

Frame:

Other

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Switzerland.

Need more information?

Contact us.

Need more information?

Contact us.
Tina Sturzenegger

About the Artist

Tina Sturzenegger

Switzerland

My work explores the grotesque beauty of modern contradiction: the friction between our pursuit of "purity" and our surrender to "guilty pleasures." We cleanse crystals while chain-smoking; we chase eternal health while consuming high-calorie thrills. I capture this tension—the longing for control in a world of seductive excess.

I treat food not as sustenance, but as a cultural marker of identity, status, and hope. By using animals—rabbits, cats, or mice—as symbolic proxies, I project human aspirations onto non-human bodies, questioning how we construct our ideals of happiness and the "perfect" self.

My compositions borrow the saturated, glossy visual language of 1970s and 80s advertising. I deliberately exaggerate these "perfect" worlds to expose their manipulative nature. The retro aesthetic serves as a mirror, reflecting how contemporary self-staging is often a repeat of past illusions.

My practice is defined by total autonomy. For the past five years, I have acted as art director, stylist, photographer, and high-end retoucher for every piece. This absolute control over the creative process is a conceptual echo of the very perfectionism I critique: a staged reality, meticulously crafted to investigate the promises we choose to believe.

Recognition:

  • Featured in the Catalog

  • Artist featured in a collection

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