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"Shared Silence" Photograph - Limited Edition of 10

→ Cesar Gaytan Padilla

Photography, Black & White on Paper

24 W x 18 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,085

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


There is a particular kind of quiet that only exists between two people who no longer need to fill the space with words. This image was taken on an overcast afternoon at the lakeside, two figures, anonymous to me, sitting close enough that their silhouettes became one shape against the water. I didn...

Year Created:

2022

Subject:

Mediums:

Photography, Black & White on Paper

Rarity:

Limited Edition of 10

Size:

24 W x 18 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.

My relationship with photography began at sixteen, when I watched my aunt move through the world with a camera and understood for the first time that ordinary moments could be made permanent. She passed down a film photography book. I taught myself everything from those pages.

My first camera was a Canon Rebel T3i. It taught me to see before I ever thought about gear, and I've never stopped believing that the eye matters more than the equipment.

I am entirely self-taught and make no apologies for it. My work is driven by a single recurring fascination, the smallness of people against the indifference of space. The way a figure on a bench beside an infinite lake becomes both insignificant and profound at the same time. The way two people sitting together can make the whole horizon feel secondary. I am drawn to raw, unguarded moments, people who don't know they're being watched, existing fully and completely in a world that isn't paying attention to them either.

Fan Ho and Brassaï taught me that a photograph doesn't need to shout to be heard. Quiet images stay with you longer.
I shoot primarily on film. Every frame is a single unrepeatable moment. The grain is real. The light is real. The people never knew they were being photographed.

That, to me, is the only kind of photography worth making.

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