"Who Let the Dogs Out" Photograph - Limited Edition of 3
Photography, Digital on Paper
23.6 W x 15.7 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$868
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
In this digital work, Rea Schenk challenges the readability of the figurative through overlays, fragmentations, and overpainting. Influenced by neo-expressionism and post-digital practices, the image constantly balances between visibility and erasure, control and loss of control. Forms emerge and di...
Year Created:
2025
Subject:
Mediums:
Photography, Digital on Paper
Rarity:
Limited Edition of 3
Size:
23.6 W x 15.7 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Germany.
Customs:
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.
“still focusing on the blurry”
Rea Schenk’s works move in an in-between. They play with what is depicted and with its reconstruction through process, and they resist the categories that usually order images – photograph or painting, digital or analogue, document or invention.
In a world that demands clarity, she deliberately focuses on the blurred, the unfinished and the dissolving. Blur is not a flaw in the system but a conscious act: the moment the diffuse is given space and the image stops being a mere document.
Her work touches on questions of perception, memory and identity. Reality appears not as a fixed state but as something fragile – a construct formed in the ongoing interplay of experience, projection, inner and outer images. The same holds for language: no system is stable, meanings keep shifting.
PHOTO CONSTRUCT and PHYSICAL CONSTRUCT offer a provisional order – one the works themselves constantly undermine. Fragments migrate from one into the other, are “digested” and return in a different form. Fractures are not hidden but become part of the form, as in kintsugi. The in-between itself becomes the structure.
Rea Schenk lives and works in Berlin.
Recognition:
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