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Digital, Digital on Canvas

33.5 W x 47.2 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

$13,780

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


- Digital painting on Canvas - Digital Original: Only one museum quality gicleé print with certificated. - Signed certificate of authenticity included. - 120 x 85 cm (approx. (approx. 47.2 x 33.4 inches) - Archival, Museum quality Giclee print on Hahnemühle Smooth 370gr canvas. - Hand varnished...

Year Created:

2019

Subject:

Mediums:

Digital, Digital on Canvas

Rarity:

One-of-a-kind Artwork

Size:

33.5 W x 47.2 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Hungary.

Need more information?

Contact us.

Need more information?

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Krisztián Tejfel

About the Artist

Krisztián Tejfel

Hungary

Krisztián Tejfel is a Hungarian painter. His works can be found in many private collectors from Hollywood to Taipei city.

Krisztián Tejfel’s painting explores the experience of attention and time through changing relationships with nature and the accelerating rhythm of everyday life.

For Tejfel, nature is not primarily a subject, but the setting for a slower kind of time in which one has the possibility simply to be present.

This experience is also connected to the way his access to the outside world has changed over the years. He grew up in late-socialist Hungary, where access to the outside world was more limited. Following the political transition, this access gradually expanded, until constant access to the outside world became the norm.

​The starting points of his works may be personal memories and impressions, images retained in fragments, feelings, moods, or painterly precedents. When a reference is present, it does not simply transfer onto the canvas: in the process of painting, its original relationships are broken apart and its elements are rearranged. The paintings develop through the accumulation of translucent layers, shifting brushwork, repetition, concealment, and overpainting. Each new intervention responds to what is already present on the surface; earlier states become part of what follows, and the painting gradually establishes its own internal order.

​The resulting pictorial world is not a representation of reality, but a parallel version of it: it begins from the same experiential world, yet operates under different conditions and rhythms. Melancholy and boredom are not depicted subjects, but desired states that allow for a slower, less directed form of attention.

Recognition:

  • Featured in the Catalog

  • Artist featured in a collection

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