"Burger" Drawing
Drawing, Charcoal on Paper
8.3 W x 11.7 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$180
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
I’m drawing this burger at a time when I’m trying to lose weight, so of course it’s all I can think about. The pastels make it feel soft and a bit unreal, like something my brain keeps replaying just to test me. I’m here smudging colour into the paper, trying to focus on the work, but the craving ke...
Year Created:
2026
Subject:
Styles:
Mediums:
Mediums:
Drawing, Charcoal on Paper
Rarity:
One-of-a-kind Artwork
Size:
8.3 W x 11.7 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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I am a London Based Artist, I’ve been making art for as long as I can remember. By the time I was eighteen, I was drawing large‑scale portraits for interior designers. It was a strange introduction to the art world — successful on paper, but something about it never sat right with me. Commissioned portraiture started to feel less like creating and more like performing a skill on demand. I realised I wasn’t being an artist; I was being a craftsman hired to reproduce someone else’s vision.
At the same time, I was navigating life as a neurodivergent person in environments where communication felt overly complicated and hard to follow. Traditional education, including art school, didn’t make sense to me. Instead of forcing myself into a system that didn’t fit, I built my own path. I started a business to learn how people communicate — how they negotiate, how they structure ideas, how meaning is built between them.
That decision ended up shaping my art more than any formal training could have. Moving away from portrait commissions opened the door to a more expressionist, abstract way of working — one that feels honest, instinctive, and entirely my own. The clarity I had to fight for in conversation shows up in my paintings as bold colour, direct gesture, and a kind of internal architecture. My work is my way of translating the noise of everyday interaction into something I can understand and something others can feel.
I didn’t go to art school, but I built a practice rooted in lived experience. My paintings are the result of learning to communicate on my own terms.
Recognition:
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