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"Last Coordinate" Drawing

→ Jezz Arts, Reunion Island

Drawing, Ink on Paper

16.5 W x 11.7 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$2,070

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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A winding channel cuts through the composition—neither purely geometric nor purely organic, but a threshold between order and chaos. Above, dense topographic texture seethes with complexity; below, parallel lines suggest organized structure. The channel itself marks the boundary where one logic give...

Year Created:

2026

Subject:

Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

16.5 W x 11.7 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Reunion Island.

Need more information?

Contact us.

Need more information?

Contact us.
Jezz Arts

About the Artist

Jezz Arts

Reunion Island

What endures? What collapses? What do we leave behind? His practice embraces the tension between the ancient and the immediate — between geological time and digital speed, between the hand and the algorithm, between the map and the territory it can no longer describe. He sees in modern technologies not a rupture with the human past but a new lens through which older questions return with greater urgency.

J3ZZ is an artist from Réunion Island. His work moves at the intersection of deep human history, philosophical inquiry, and the disruptions of contemporary technological society — tracing what persists beneath the surface of a world in accelerating transformation.

Working primarily with ink on paper, he is drawn to processes that cannot be undone. Each mark is irreversible, a record of a singular decision made in time. This irreversibility is not a constraint but a conviction: that the gesture, like history itself, cannot be revised without becoming something else entirely.

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