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"Muscle #4" Drawing

→ Tibor Lazar, Serbia

Drawing, Ink on Paper

20.1 W x 7.1 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$472

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


The main subject of my art is the body. The forms observed in my works are most often viewed from strange angles or in motion. For this reason, using a live model would be practically impossible. I rely completely on photographs to work. The positioning of faces and body parts can allow for variet...

Year Created:

2021

Subject:

Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

20.1 W x 7.1 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Serbia.

Customs:

Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Tibor Lazar

About the Artist

Tibor Lazar

Serbia

I reconstruct and transform idealized visual codes from the great historic eras. I attempt to follow the changes they go through, manipulate them and with them, from a more distant position, in terms of time and history. At times, I play with the canons of the past, treating them with nostalgia or irony, aware of their changeability and instability. To achieve this, I use the tools of the movements of the margins, often using spray paint and other materials for expression that are favoured by these movements. My hope is to establish a sort of meeting between seemingly opposing esthetic and art strategies in my works. The turn of the century and the culture of street art, two very distant and, at first glance, different worlds meet and intertwine in my works. I attempt to find the connections between the past and the present – their parallels and collisions.

Recognition:

  • Artist featured in a collection

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