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"Subsurface Abstract Drawing" Drawing

→ Heru Susanto, Indonesia

Drawing, Digital on Paper

12.2 W x 18.3 H in

Framed, Ready to Hang

$485

→ Shipping Included

→ 14-day free returns

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Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Part of the Field Notes series. The piece reflects small, quiet observations — subtle movement, shifting pressure, and forms that feel present without being obvious. The image developed slowly through careful adjustment and repetition, allowing the composition to settle rather than forcing a result...

Year Created:

2026

Subject:

Mediums:

Drawing, Digital on Paper

Rarity:

One-of-a-kind Artwork

Size:

12.2 W x 18.3 H x 0.1 D in

Ready to Hang:

Yes

Frame:

Black

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Indonesia.

Need more information?

Contact us.

Need more information?

Contact us.
Heru Susanto

About the Artist

Heru Susanto

Indonesia

I've had a close relationship with visual art since childhood. I started by drawing and experimenting with shapes, lines, and color, and over time, exploration naturally became the core of my practice.

In my work on Saatchi Art, I use a wide range of mediums. Some pieces are created through coding and generative systems, while others are made using traditional materials such as pencil, pastel, and paint. I don’t limit myself to a single method, each artwork is developed using the medium that best fits the idea behind it.

Before working with code, I spent years creating art by hand, and this physical process continues to play an important role in my practice. Sketching, layering color, and building texture manually help shape my visual sensitivity and often become the starting point for both my traditional and digital works.

During my university years, after studying programming, I discovered coding as a creative tool. This added a new dimension to my process, allowing me to work with structure, logic, and systems while still staying grounded in visual balance, rhythm, and color.

Rather than relying on ready-made software effects, my generative works are built by designing custom visual systems, sets of rules that guide form, color, and composition. Each piece develops gradually, balancing intention with variation.

Color is a central element across all of my work, regardless of medium. It’s used to create depth, movement, and emotional tone. My practice continues to evolve through ongoing experimentation, resulting in multiple collections developed over time.

Overall, my work is about exploration and process, moving fluidly between coding and hands-on techniques, and using different mediums to turn simple ideas into expressive visual forms.

Recognition:

  • Artist featured in a collection

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