"Bamboo #1" Installation
Installation, Plastic
15.7 W x 21.7 H in
Ships in a Box
This work will ship flat in a sturdy, well-protected cardboard box. Read More
$490
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Mediums:
Installation, Plastic
Rarity:
One-of-a-kind Artwork
Size:
15.7 W x 21.7 H x 0.8 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Italy.
Customs:
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
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Contact us.
Mattia Paoli (b. 1991) is an Italian artist based in Florence. His practice moves between painting, photography, and digital experimentation, exploring the tension between physical matter and its visual translation. Trained in Design at the University of Florence, his background informs an approach where artistic intuition and structural thinking coexist.
Paoli’s work investigates transformation, instability, and the transient nature of form through layered surfaces, material contrasts, and hybrid techniques. Traditional media intersect with 3D design and digital processes, generating images and objects that oscillate between the real and the constructed, the organic and the artificial.
Alongside his artistic practice, he is a university lecturer in visual communication, photography, and digital design, a role that reinforces his research-driven and experimental approach. His works have been exhibited internationally, including at the Venice Architecture Biennale, and are held in private collections worldwide.
Paoli’s research does not aim to represent reality, but to question it using the image as a site of tension, mutation, and visual negotiation.
Recognition:
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