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"611 L'Ankou, Albuglyphe" Painting

→ Félix Hemme, France

Painting, Acrylic on Paper

29.5 W x 39.4 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,640

→ Shipping Included

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Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


La grande faucheuse. Acrylic on paper (200g). 2021.

Year Created:

2021

Subject:

Mediums:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

29.5 W x 39.4 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

Need more information?

Contact us.

Need more information?

Contact us.
Félix Hemme

About the Artist

Félix Hemme

France

Félix was born in France in 1976. He lives and works in the South West of France.
"A full-time self-taught artist for over a decade, my artistic identity is deeply rooted in an obsession and bulimia for the act of painting and creating.
This obsession is clearly manifested in my distinctive technique, a process I have developed that is a form of “scratching.”
This method deliberately alters the surface of the canvas - and more recently also the surface of my sculptures - at a precise moment of creation, highlighting the most powerful trace of the brush. This surface-destructive approach aims to explore what lies "beneath" the oil paint, whether the canvas itself, an underlying color, a drawing, a painted image or the painted volume. In short, it seeks to reveal the truth hidden behind what is visible, perhaps my own identity.
The repetitive pattern that I use, evoking waves, clouds, hills, even scales, depending on the viewer's interpretation, allows me to navigate between figuration and abstraction without hindrance.
Currently, my drawing is voluntarily reduced to its simplest expression, just like the shapes of my sculptures."

Recognition:

  • Featured in the Catalog

  • Artist featured in a collection

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