"Inner Eruption" Painting

I am not a graduate of an Academy of Fine Arts. I hold a Master of Engineering degree and am a graduate of a technical university, which gives me a completely different perspective on art. I think in terms of construction, process, and analysis, and the language of my work grows directly out of an engineering approach to form, material, and technology. My aesthetic is synthetic, geometric, and raw.

I create at the intersection of engineering and art. This is a space where technical precision meets artistic intuition, and where modern technologies and materials open up unlimited creative possibilities. I believe that this fusion gives rise to objects that are exceptional and unique. It is a path different from classical artistic education, yet it is precisely this difference that I see as its strength and authenticity.

I experiment. I have a deep, inner need to create, and I treat art as a path through life- a long-term process rather than a one-time adventure. I consistently develop my own artistic language, combining diverse materials and technologies. I define myself as a contemporary artist.

I design my sculptures in a digital environment using 3D modeling, and then realize them by combining the freedom offered by 3D printing with raw materials such as concrete or metal. In this way, I break through their natural limitations and give them a new formal context.

In the process of creation, I developed my own technique, which I named SCS – Silent Core Sculpture. It combines original methods of modeling three-dimensional forms, 3D printing them, and coating them with various materials, thereby merging unlimited geometric possibilities with the unique properties and textures of the final surfaces.

My paintings are abstract- they do not describe reality directly, but interpret it. I am interested in the tension between matter and space, rhythm, structure, and the silence of form. I am inspired by technology, nature, and travel. A special place in my work is occupied by Japan- its minimalism, aesthetics, and approach to form. My stay in Tokyo, Fukushima, and Sendai allowed me to experience this culture directly and profoundly influenced the way I perceive the world.

Equally important to me are my travels across Europe. Germany, Italy, France, England, Croatia, the Czech Republic, Slovakia, Slovenia, Poland, and Sweden- each of these countries has shaped who I am and how I see and interpret reality.

Each of my works appears only once in a given form.