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"Into the Light" Painting

→ James Azzarello, United States

Painting, Acrylic on Hardboard

39 W x 47 H in

Framed, Ready to Hang

$4,460

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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A powerful acrylic painting on hardboard, "Into the Light" offers a profound visual journey. I used acrylics to create a textured abstract expressionist piece that speaks to the soul. This contemporary artwork, rendered on a sturdy wood panel, invites contemplation. Inspired by the collective feel...

Year Created:

2026

Subject:

Mediums:

Painting, Acrylic on Hardboard

Rarity:

One-of-a-kind Artwork

Size:

39 W x 47 H x 2.5 D in

Ready to Hang:

Yes

Frame:

Black

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
James Azzarello

About the Artist

James Azzarello

United States

My recent work focuses on a modern approach to mixed media, emphasizing encaustic (wax) painting alongside oil and acrylic on canvas and hardboard. I deliberately combine traditional painting techniques with metals, concrete, and hardwoods to expand the vocabulary of surface and structure. This hybrid practice produces two intertwined strands: wall-based paintings that emphasize layered translucency, texture, and the physicality of wax and paint; and art furniture that functions as usable objects while asserting sculptural presence. Metals introduce line and tension; concrete provides mass and contrast; hardwoods bring warmth and craft. Together these elements create a visual tension between utility and aesthetic autonomy, inviting viewers to engage both physically and visually.
Commissions and public work. In addition to the body of work I maintain, I undertake commissioned projects for private collectors, commercial interiors, and public spaces. My commission practice is material-led and collaborative: I develop proposals that respond to site, program, and budget while preserving formal clarity and material integrity. Typical commissions range from single-site sculptural furniture and wall works to multi-piece installations that integrate metalwork, concrete, and painted surfaces.
Process and intent. My process is iterative and material-driven—surface decisions inform structural choices and vice versa—so each piece becomes a negotiation between technique, material behavior, and formal clarity. I aim to produce work that reads immediately as image and object: paintings with architectural weight and furniture that reads as composition.

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