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"Robe 1" Painting

→ Helen Uter, France

Painting, Acrylic on Other

31.5 W x 47.2 H in

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$947

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


A spontaneous, gestural work. The movement of the gown makes the dummy kind of alive. Un travail gestuel et spontané. le mouvement de la robe confère au mannequin une forme de vie...

Year Created:

2002

Subject:

Mediums:

Painting, Acrylic on Other

Rarity:

One-of-a-kind Artwork

Size:

31.5 W x 47.2 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

Need more information?

Contact us.

Need more information?

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Helen Uter

About the Artist

Helen Uter

France

"I paint to tell thrills, feelings, stories that go beyond me.

"Je peins pour raconter des sensations, des états d’âme, des histoires qui me dépassent.
Je me laisse guider par mes pinceaux, ils m’apprennent quelque chose sur moi, sur le monde aussi.
C'est un travail exigeant, un univers parallèle, envahissant, transcendant."

Illustratrice, directrice artistique, professeure d’histoire de l’art et d’arts appliqués, Helen Uter est une femme d’images.

Parallèlement à son activité professionnelle elle développe des recherches artistiques personnelles.
Nourrie des œuvres de peintres tels que Hopper, Vélikovic, Freud, Bacon, ainsi que ceux de la figuration narrative comme Monory, elle a suivi ce conseil : "n'apprenez pas à peindre, peignez !"
Helen Uter peint et sculpte depuis 1995.

L’originalité de son travail provient probablement de sa double nationalité française et américaine
La recherche de ses racines l’entraîne vers des sujets oniriques, parfois troublants, irréels ou ambigus.
Ses toiles sont peintes sans recherches d'effets ou d'artifices, au profit de la narration.
Des représentations métaphoriques qui expriment des vérités au delà de leur forme visible.
A l’objectivité des objets du monde se substitue la subjectivité du peintre.
Quand on lui demande d'expliquer ses tableaux, elle cite Francis Bacon :
“Si on peut le dire, pourquoi s’embêter à le peindre ?”

Recognition:

  • Artist featured in a collection

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