







Painting, Oil on Canvas
27.6 W x 27.6 H in
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As a grandmother for the second time, I felt that I had to show in my painting what a wonder it is with a newborn child. I thought it was fantastic when I got my children - but age get even a new dimension to this feeling. I made my little grandchild as a lonely planet in the universe. In an eggshel...
Year Created:
2014
Subject:
Styles:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
27.6 W x 27.6 H x 0.8 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Norway.
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Contact us.ESSAY.by D.F. Colman, an art writer based in Manhattan:WHISPERS IN AN EMPTY AMPHITHEATERJette van der Lendes realistic oils have the preternatural capacity to stop time. Or at least slow time down. In his novel Slowness Milan Kundera writes: A word uttered in a small enclosed space has a different meaning from the same word resonating in an amphitheater. No longer is it a word for which he holds full responsibility and which is addressed exclusively to the partner, it is a word that other people demand to hear, people who are there, looking at them. True the amphitheater is empty, but even though it is empty, the audience, imagined and imaginary, potential and virtual, is there, is with them. With van der Lende the scale of the works may be small and yet we as viewers seem to be witnessing the birth of something special, an object caught in a cats cradle of relations (optical and mental) with other objects and the space that envelops them. This artist has the uncanny ability to create visionary work that intimates the sacred souls and sacred lives of the circumstances of objects in the world.read the whole essay of Coleman at
Recognition:
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