"MUD RIDER" Photograph - Limited Edition of 20
Photography, Giclée on Paper
24 W x 16 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$2,170
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
A Lada cab is parked in front of active mud volcanoes in Azerbaijan's Gobustan region. The resilient and reliable Soviet Ladas are the only way to get to this remote location. - Edition of 20 - Inkjet giclée pigment print, archival inks - Hahnemühle Photo Rag fine art paper, 308 gsm - ISO 9706 muse...
Year Created:
2018
Subject:
Styles:
Mediums:
Photography, Giclée on Paper
Rarity:
Limited Edition of 20
Size:
24 W x 16 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Germany.
Customs:
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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About the Artist
Miles Astray
Inspired by slow travel, Miles Astray blends writing and photography, art and activism. Framed by candor, but not caged in by any one genre, his work aims beyond catchy, flat, one-dimensional black or white narratives and notions of misery, happiness, modernity, and exoticism to depict authentic glimpses of here, there, and elsewhere. The result is both homage and appeal.
As a traveling photographer rather than a travel photographer per se, Miles' eclectic body of work encompasses bold documentary, keen cultural observations, subtle and iconic discoveries of the natural and urban world, as well as story-telling street photography and the moments next door.
Considering reality the truest aesthetic, Miles’ ambition is to capture the world as is. No tricks, no fiction, no hyper-stylized post-production cosmetics—nothing staged, nothing fake, nothing pretentious. His work has been recognized through hundreds of awards, exhibitions, and media features worldwide.
Recognition:
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