"THE SIGNAL" Photograph - Limited Edition of 10
Photography, Gelatin on Paper
21.7 W x 33.5 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$10,540
→ Shipping Included
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This work is part of the series FORM, a study of the human figure through light, structure, and spatial balance. The body is treated not as subject, but as form defined by contrast, contour, and the relationship between light and shadow. By reducing visual information, the image focuses on proporti...
Year Created:
2000
Subject:
Styles:
Mediums:
Photography, Gelatin on Paper
Rarity:
Limited Edition of 10
Size:
21.7 W x 33.5 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
France.
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Clayton Talmon de l’Armée is a photographer whose work is rooted in a sustained commitment to monochrome image-making.
For more than thirty-five years of working across the world in stills and cinema, his practice has evolved through long-form observation and a disciplined attention to light, structure, and tonal nuance.
His photographs are produced by the artist as traditional silver-gelatin or archival pigment prints. The act of printing is central to the work: tonal separation, surface, and scale are treated as compositional elements rather than technical outcomes. Each image is resolved through material decisions that privilege depth, quiet contrast, and permanence.
Talmon de l’Armée’s work is held in private collections internationally, including Europe, Australia, and the United States. His photographs have been acquired during major international art weeks in London, Miami and San Francisco, reflecting sustained collector interest in his monochrome practice.
Across his body of work, human presence is often implied rather than asserted, set within expansive environments that emphasize duration, distance, and restraint. The images resist immediacy, inviting slow looking and repeated engagement, qualities central to the tradition of fine-art black-and-white photography.
Recognition:
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