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A portrait of a woman in a deep emotional crisis.
The expression of the face is calm but the treatment of the surface gives the sence of existential despair.In adition the use of materials(plaster,burlab,chickenwire,wood and metal for the structure)gives the sense of fragility of the female soul.it belongs to a series of works with the general title"The machine of homecoming"dealing with issues concerning the consequences of war in the relations between the members of the family.
Stylistically the outline of the figure is an archaic greek sculpture but the materials used and the non- finito qualities give the sculpture a contemporary aura.
A portrait of a woman in a deep emotional crisis.
The expression of the face is calm but the treatment of the surface gives the sence of existential despair.In adition the use of materials(plaster,burlab,chickenwire,wood and metal for the structure)gives the sense of fragility of the female soul.it belongs to a series of works with the general title"The machine of homecoming"dealing with issues concerning the consequences of war in the relations between the members of the family.
Stylistically the outline of the figure is an archaic greek sculpture but the materials used and the non- finito qualities give the sculpture a contemporary aura.
A portrait of a woman in a deep emotional crisis.
The expression of the face is calm but the treatment of the surface gives the sence of existential despair.In adition the use of materials(plaster,burlab,chickenwire,wood and metal for the structure)gives the sense of fragility of the female soul.it belongs to a series of works with the general title"The machine of homecoming"dealing with issues concerning the consequences of war in the relations between the members of the family.
Stylistically the outline of the figure is an archaic greek sculpture but the materials used and the non- finito qualities give the sculpture a contemporary aura.
A portrait of a woman in a deep emotional crisis.
The expression of the face is calm but the treatment of the surface gives the sence of existential despair.In adition the use of materials(plaster,burlab,chickenwire,wood and metal for the structure)gives the sense of fragility of the female soul.it belongs to a series of works with the general title"The machine of homecoming"dealing with issues concerning the consequences of war in the relations between the members of the family.
Stylistically the outline of the figure is an archaic greek sculpture but the materials used and the non- finito qualities give the sculpture a contemporary aura.

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tempest Sculpture

Christakis Christou

Greece

Sculpture, Plaster on Other

Size: 19.7 W x 43.3 H x 23.6 D in

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$8,260

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ABOUT THE ARTWORK

A portrait of a woman in a deep emotional crisis. The expression of the face is calm but the treatment of the surface gives the sence of existential adition the use of materials(plaster,burlab,chickenwire,wood and metal for the structure)gives the sense of fragility of the female belongs to a series of works with the general title"The machine of homecoming"dealing with issues concerning the consequences of war in the relations between the members of the family. Stylistically the outline of the figure is an archaic greek sculpture but the materials used and the non- finito qualities give the sculpture a contemporary aura.

DETAILS AND DIMENSIONS
Sculpture:

Plaster on Other

Original:

One-of-a-kind Artwork

Size:

19.7 W x 43.3 H x 23.6 D in

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It has ben a iourney fromthe myth to the allegory.from the archhetype to the symbol from the real event to the tragic sence of history.all these in an attempt to define the within the limits of an artistic language an atmosphere where being is confirmed.at this very moment of my quest i can only think of aserenity which is eternal only because it contains within the Person,the Crisis and the Pathos. I was born in Cyprus and I have studied Architecture, graduating in 1995 with a thesis entitled "Myth-historical topography", a land-art project, being my first step towards a new descipline the one of Art. After working for three years in an office producing mainly stage-design projects, I was awarded with the scholarship in sculpture from the National Institute of Scholarships of Greece and continued my studies in sculpture in K.I.A.D in Canterbury, England. I received a Master's degree in Fine Art in 2000 and since then I 've been working as a sculptor. My work is dealing with matters of form and space, which means that incudes Installations, Land art projects, Design of monuments and Drawing as a tool of understanding reality, expressing emotions and ideas as well as a preliminary stage for sculpture projects I am also concerned on the human figure and how it is placed in space. My work has a morfology that reflects my relation with the history of art from the ancient to the contemporary.

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