"In Time II" Collage
Collage, Paper on Fine Art Paper
8.9 W x 12 H in
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$290
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
I came across archival photographs by Wilhelm Weimar (1857-1917), who worked for the Museum Für Kunst und Gewerbe in Hamburg. Weimar used photography instead of written descriptions to document monuments and create a visual herbarium (‘Wilhelm Weimar’, 2024). His choice to prioritise image over text...
Year Created:
2024
Subject:
Styles:
Mediums:
Mediums:
Collage, Paper on Fine Art Paper
Rarity:
One-of-a-kind Artwork
Size:
8.9 W x 12 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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ARTIST STATEMENT
My practice unfolds from the photograph, exploring the tension between what is visible and what is unknowable, using found images to interrogate memory, meaning, and representation. I see photographs as symbols of the absurd—they gesture toward meaning, yet always withhold it, and when removed from their original context they become fragmented objects that invite both interpretation and uncertainty. By re-contextualizing and altering these images, I challenge both their meaning and ability to represent, I disrupt their familiarity, letting ambiguity shape the viewer's engagement. This disruption keeps the image in motion—unresolved, suspended between presence and absence, past and present.
In embracing the fragmentary and the unknown, I aim to create a space where the photograph resists closure, remaining perpetually open to reinterpretation. This ongoing tension invites a dialogue between the viewer, the artwork, and the spaces of absence and uncertainty it evokes. Through my work, I aim to reflect the complexities of memory, the instability of representation, and the interplay between what we seek and what we can never fully know.
Recognition:
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