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Collage, Paper

8.5 W x 5.5 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$2,240

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This collage belongs to a series entitled Kaleidoscopes 2019. They are made in small format on a textured acid-free canvas paper to guarantee its durability over time. There are only 24 pieces and each one is unique. This is number 4. None is the same as another and when they interact side by side ...

Year Created:

2019

Subject:

Mediums:

Collage, Paper

Rarity:

One-of-a-kind Artwork

Size:

8.5 W x 5.5 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Contact us.

Need more information?

Contact us.
Carmen Salvador Velez

About the Artist

Carmen Salvador Velez

United States

Artist, illustrator and Architect, with a long and distinguished career in the disciplines of drawing, painting and illustration.

Born in Caracas, Venezuela, on July 17, 1953, after her parents moved from Spain at the onset of that country’s Civil War. Engineers and Architects like Fernando and Amos Salvador Rodrigañez, from the Rioja region, are an integral part of her ancestry.

Early years

Carmen grew up surrounded by books, nature and animals, as well as pencil-made architectural plans, reproductions of Picasso, Dalí and Miró, Calder mobiles, fabrics, embroidery, freshly cut dresses, sewing and needle threading of grandmothers, in addition to her mother's book binding works.

In 1994, Art critic and curator Federica Palomero wrote about Carmen’s work:
“The artist has not taken her figurative forms through the paths of abstraction (in the sense of ‘abstracting’), but has rather concealed them with other already abstract forms. Her pictorial work fits easily within the new abstraction, nourished by informalism, which has constituted a significant trend in Venezuelan art since the 1980s. Her contribution to current abstraction is founded on the ambiguity of space”.

“Carmen Salvador goes to the essential, dissolving form into referential structures that evoke a pictorial exercise on the skin”. María Luz Cárdenas, 1991.

“Carmen Salvador bases her work on the creation of spaces that appear as the background of the image by superimposing forms –structures–, in the manner of a ‘mesh’ or ‘net’, of pure and contrasting colors that are distinguished by their organic appearance, recalling honeycombs”. Susana Benko, 2015.

Recognition:

  • Artist featured in a collection

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