"Memory 11" Installation
Installation, Ceramic
11 W x 8.3 H in
Ready to Hang
$1,843
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ABOUT THE ARTWORK
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Human memory is like a mysterious and complex sea.“Memory” , carries the traces of emotions and experiences within this vast ocean. Cassette tapes, by transporting the sounds and images of the past into the present, can preserve unforgettable moments indefinitely. Yet at the same time, they also hol...
Year Created:
2020
Subject:
Styles:
Mediums:
Installation, Ceramic
Rarity:
One-of-a-kind Artwork
Size:
11 W x 8.3 H x 1.6 D in
Ready to Hang:
Yes
Mounting:
Wall-Mounted
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Outdoor Safe:
No
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Turkey.
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Born in Sakarya in 1991, Seda Boy graduated from the Department of Ceramic and Glass Design at Mimar Sinan Fine Arts University in 2017. Boy’s artistic practice is grounded in a conceptual framework positioned along the tension between form and meaning. The rhythmic structure produced by symbolism through repeated forms emerges in her work as both an aesthetic and intellectual tool.
Boy’s works focus on the social, cultural, and political ramifications of issues generated by human agency. By bringing together different materials, she gives form to these ramifications while constructing a multilayered narrative that reconfigures memory, space, and time. This narrative positions the viewer not merely as an observer, but as an active participant in a process of thought.
Ceramics constitute a foundational ground in Boy’s practice; however, this ground expands through interaction with contemporary media such as photography, video, performance, and sound. This hybrid structure creates an aesthetic field that transforms sensory perception and questions the boundaries of representation. Moving beyond the object itself, Boy’s works investigate the invisible layers that emerge within the relationship between the viewer and the artwork.
Beyond an inward inquiry, the artist’s practice proposes a collective confrontation with social memory. Oscillating between temporal layers, these works open up a space for reconsideration at both individual and cultural levels.
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