"Jump" Painting
Painting, Acrylic on Linen
35.8 W x 25.6 H in
Ready to Hang
$3,090
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ABOUT THE ARTWORK
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"Stretched on bars. Ready to hang. Unframed." In 'Jump,' I capture the sudden release of pent-up kinetic energy. A rhythmic sequence of pink dots acts as a steady, grounding beat against a gestural eruption of dark and light tones. This work physically juxtaposes absorption and resistance on a sing...
Year Created:
2025
Subject:
Styles:
Mediums:
Painting, Acrylic on Linen
Rarity:
One-of-a-kind Artwork
Size:
35.8 W x 25.6 H x 1 D in
Ready to Hang:
Yes
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
South Korea.
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My paintings focus on the surface as a field of interaction, not a finished image. They explore the balance between intentional gestures and unpredictable material responses.
Surface conditions — absorption, texture, and flow — interact with paint density to create a visual field that never fully resolves.
The work captures moments of tension between control and unpredictability, and inviting close observation, to reveal a subtle interplay of color and texture that changes with light and distance.
In the ‘Accumulation’ series, layers are built through the repeated acts of layering and overturning paint. As oil and water-based materials repel each other, they produce unpredictable densities. Consequently, the surface becomes a physical record of time rather than a single, static decision.
In the ‘Surface’ series, absorption and resistance coexist. Raw fabric draws in the paint while coated areas block it, creating a palpable tension between openness and closure. Rather than a uniform plane, the painting transforms into a field of shifting conditions.
I am interested in structures that do not resolve. Instead of stability, my work holds a sustained state of imbalance - a quiet negotiation between intention and matter.
Through the accidental marks of layering, I invite the viewer into a space of constant becoming.
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