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"Ride the Lightning" Painting

→ Matthew Dibble, United States

Painting, Enamel on Canvas

76 W x 58 H in

Ready to Hang

$6,790

→ Shipping Included

→ 14-day satisfaction guarantee

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This painting is a collision between medieval manuscript illustration and comics. The crowded, interlocking bodies recall illuminated marginalia, while the bold outlines and compressed graphic energy give it a comic-book punch. The result is playful, crowded, and a little ominous, not unlike a moder...

Year Created:

2026

Subject:

Mediums:

Multi-paneled Painting, Enamel on Canvas

Rarity:

One-of-a-kind Artwork

Size:

76 W x 58 H x 1.5 D in

Number of Panels:

2

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Matthew Dibble

About the Artist

Matthew Dibble

United States

Matthew Dibble spent decades in the construction business, and approaches his art like a true tradesman: with watchful attention and professional confidence, he composes gesturally abstract and figural paintings marked by creative choreography. He attended Cleveland’s former defiantly inspiring Cooper School of Art, and has marched to his own drummer ever since graduating in 1978. Dibble’s ongoing body of work includes original, nuanced reactions to both modern and postmodern sensibilities, with as few aesthetic or philosophical pretensions as possible. A fascination with gesture and action continues to underlie his large-scale Abstract Expressionist paintings, while his figurative work deploys distorted, other-worldly creatures across layered surfaces that fascinate. His work has long displayed this double trajectory, in which expression moves towards meaning in the abstracts and also in the counterbalancing figural work—as if the right and left hemispheres of his brain were performing an intricate dance.

Recognition:

  • Featured in the Catalog

  • Showed at the The Other Art Fair

  • Artist featured in a collection

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