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"Begging." Photograph - Limited Edition of 5

Tina Sturzenegger, Switzerland

Photography, Color on Glass

25.3 W x 19.4 H in

Framed, Ready to Hang

$1,535

Shipping Included

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Artist Recognition

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Celebrate the joy of being outdoors and savoring summer with a wink. This series captures the lightheartedness and simple pleasures of life—a moment shared over a glass, a carefree smile, a sunlit afternoon. Styled in a modern photographic approach with Pop Art influences, the images radiate color, ...

Year Created:

2025

Subject:

Mediums:

Multi-paneled Photography, Color on Glass

Rarity:

Limited Edition of 5

Size:

25.3 W x 19.4 H x 1.2 D in

Number of Panels:

4

Ready to Hang:

Yes

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Switzerland.

Need more information?

Contact us.

Need more information?

Contact us.
Tina Sturzenegger

About the Artist

Tina Sturzenegger

Switzerland

My work explores the grotesque beauty of modern contradiction: the friction between our pursuit of "purity" and our surrender to "guilty pleasures." We cleanse crystals while chain-smoking; we chase eternal health while consuming high-calorie thrills. I capture this tension—the longing for control in a world of seductive excess.

I treat food not as sustenance, but as a cultural marker of identity, status, and hope. By using animals—rabbits, cats, or mice—as symbolic proxies, I project human aspirations onto non-human bodies, questioning how we construct our ideals of happiness and the "perfect" self.

My compositions borrow the saturated, glossy visual language of 1970s and 80s advertising. I deliberately exaggerate these "perfect" worlds to expose their manipulative nature. The retro aesthetic serves as a mirror, reflecting how contemporary self-staging is often a repeat of past illusions.

My practice is defined by total autonomy. For the past five years, I have acted as art director, stylist, photographer, and high-end retoucher for every piece. This absolute control over the creative process is a conceptual echo of the very perfectionism I critique: a staged reality, meticulously crafted to investigate the promises we choose to believe.

Recognition:

  • Featured in the Catalog

  • Artist featured in a collection

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