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"Host" Photograph - Limited Edition of 5

→ Minhazur Rahman Akash, Bangladesh

Photography, Manipulated on Other

60 W x 40 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,000

→ Shipping Included

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This work combines photographic elements and digital intervention to construct a quiet ecological allegory. A small Rat appears suspended within an open field of color, carrying a fragile interior life while birds move across the distant sky. The composition isolates the figure within a large, nearl...

Year Created:

2024

Subject:

Mediums:

Photography, Manipulated on Other

Rarity:

Limited Edition of 5

Size:

60 W x 40 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Minhazur Rahman Akash

About the Artist

Minhazur Rahman Akash

Bangladesh

I am a visual artist and filmmaker based in Dhaka, Bangladesh. My practice spans photography, digital manipulation, collage, and archival print, working across multiple visual languages rather than a fixed style. I move fluidly between urban observation, abstraction, and speculative or cosmic imagery, using each as a way to think about time, scale, and human presence.

Much of my work originates from everyday encounters with the city—entry points, transitional spaces, anonymous bodies, and moments where labor, waiting, and survival quietly overlap. These observations are not treated as documents but as starting points, often fractured, distorted, or displaced to explore how bodies endure environments shaped by pollution, congestion, and infrastructural neglect.

At the same time, I am drawn to abstraction and cosmic imagery as a way to step beyond the immediacy of the city. These works reflect on duration, repetition, and the sense of existing within forces far larger than the individual—ecological, temporal, or planetary. The human figure often appears reduced, fragmented, or suspended, suggesting both vulnerability and persistence across scales.

Rather than narrative clarity or spectacle, I am interested in endurance, imbalance, and temporal experience. My background in experimental cinema strongly informs how I think about time, framing, and attention. I approach images as slow encounters rather than definitive statements, allowing ambiguity and atmosphere to remain active.

My works are printed as limited editions on archival paper and are intended to be experienced gradually—as pauses, interruptions, or moments of reflection within an increasingly accelerated and indifferent world.

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