"10:10" Collage
Collage, Paper
27.6 W x 39.4 H in
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$3,590
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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“10:10” is a collage about time — its symbols, its seduction, and its cost. It’s composed of hundreds of found fragments: watches, locks, jewellery — carefully torn and layered by hand over a golden surface made from a Versace fashion street-poster that lies as a contemporary ‘fondo oro’. The title...
Year Created:
2023
Subject:
Mediums:
Mediums:
Collage, Paper
Rarity:
One-of-a-kind Artwork
Size:
27.6 W x 39.4 H x 0.1 D in
Ready to Hang:
Not Applicable
Frame:
Not applicable
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Italy.
Customs:
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Romeo Madonna (London, 1987) is a collage artist currently living and working in Florence, Italy.
His practice revolves around the act of cutting, layering, and reassembling as a form of reflection. Each fragment becomes a cell of memory — an attempt to reconstruct what the image has already consumed. Through a process that is both methodical and visceral, Madonna treats collage as a space of resistance: against distraction, against excess, against forgetting.
Working across analog and digital media, he explores the surface of culture as a kind of living skin — seductive, fragile, and perpetually exposed. The repetition of gestures becomes a private ritual, where control and surrender coexist, and the aesthetic act turns into a way of staying lucid within the noise of contemporary imagery.
Time, beauty, identity, and mortality are recurring tensions rather than subjects: they inhabit the work as quiet presences, emerging through matter, cut, and silence. In this sense, Madonna’s collages are not compositions but confessions — attempts to hold together what is destined to fall apart.
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