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"Nº 14 - Invisibility" Painting

→ Silvia Pott, Brazil

Painting, Oil on Canvas

31.5 W x 23.6 H in

Ready to Hang

$2,920

→ Shipping Included

→ 14-day free returns

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Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Work inspired by a photo who shows a group of children sitting on the floor with empty plates of food. Children in poverty and invisible in the eyes of society.

Year Created:

2022

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

31.5 W x 23.6 H x 0.1 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Brazil.

Customs:

Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Silvia Pott

About the Artist

Silvia Pott

Brazil

My painting emerges from the friction between order and instability — a field where systems are constructed only to be dismantled. In my practice, abstraction is not a style, but a language that suspends representation in favor of sensory experience.
Color, gesture, and pictorial matter operate as active forces that structure tensions between control and spontaneity. With an initial background in programming, I introduce a structural logic into the process that is deliberately destabilized through the act of painting. This dynamic becomes a conceptual axis, reflecting the human condition as a continuous search for balance in the face of unpredictability.
My work engages with literary and philosophical references that remain latent — fragments of text concealed beneath layers of color, more suggested than revealed. Rather than proposing narratives, I construct fields of perception in which color assumes a central role, inviting the viewer into an experience that is direct, intimate, and open.
I understand painting as a space of freedom and inquiry — a territory where materiality and thought converge, giving rise to gestures that are unique, irreproducible, and alive.

Recognition:

  • Artist featured in a collection

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