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"The Lion Roots" Painting

→ Alexandre Gomez, Brazil

Painting, Acrylic on Canvas

31.5 W x 39.4 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$1,979

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


The most ambitious lion in the LAR universe — a monumental reinterpretation that breaks from the radial mane of its smaller predecessors into long, vertical strokes of color, layered with loose gestural gold linework that gives the piece real depth and movement. Hidden within the brushwork of the ma...

Year Created:

2026

Subject:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

31.5 W x 39.4 H x 0.8 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Brazil.

Customs:

Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Alexandre Gomez

About the Artist

Alexandre Gomez

Brazil

I'm Alexandre, a self-taught painter from Brazil, and I sign my work LAR. It stands for Luciana, Alexandre, and Roots, my partner, me, and our dog. In Portuguese, lar also means "home." That's what I try to paint: the feeling of belonging.
I never studied art formally. I learned by painting, by studying the artists I love, and by making a lot of mistakes. Cubism, Art Déco, and Brazilian Modernism shaped my language. I'm thinking of Di Cavalcanti, Tarsila, Léger, Sonia Delaunay, and Stuart Davis. I break figures and animals into flat geometric pieces and build them with gold, copper, and lots of color. Dancers, couples, macaws, jaguars, and birds sit at the center. Around them, little fragments float on their own and give the painting its rhythm.
I also have a more playful, abstract side, inspired by Pollock. I use masking tape to hold the chaos of splatter inside geometric blocks, and I hide words and faces in the paint. For me it's about concealment and revelation: you have to look twice to find what's hidden.
Lately I've been painting on things that already had a life, like old cutting boards and bottles, and giving them a new one.
Color is my language, and I paint to bring joy, warmth, and a little bit of home into any space.

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