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View In My Room
Photography, Black & White on Paper
Size: 30.2 W x 53.7 H x 0.1 D in
Ships in a Crate
Shipping included
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This photo was taken of the West Hollywood protest of Dobbs v. Jackson Women's Health Organization, overturning women's reproductive rights, and overturning Roe v. Wade. It was inspired by much more than that, including an apparatus made up of multiple non-profits, volunteers, and small-money donors from around the country, and even around the world. This is what our brighter tomorrow looks like, because the only thing that can give us hope for the future – is us. In this wide black and white photograph, the towering tree symbolizes resilience amidst the struggle against oppression. Shadows cast across the grass evoke the complexities of pain and despair, yet hint at the potential for empowerment and hope. Inspired by the works of Ansel Adams and Henri Cartier-Bresson, this image invites reflection on the enduring spirit of resistance and the quest for a brighter future. An example of Post Colonial art style. Profits from this project will go towards buying new equipment and supplies to launch a bold new series of works. All original sales are signed on the back and have a certificate of authenticity provided. Picture dimensions do not include an additional white matte border.
2022
Black & White on Paper
25
30.2 W x 53.7 H x 0.1 D in
Not Framed
No
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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United States
Ricardo Tomasz is an artist in photography, painting, collage, video, performance art, and occasionally body hair. He was born and raised in Hungary, to a Hungarian mother, and a Spaniard father. They died when he was 16, but their passing allowed him to tour and study at some of the finest Art Universities in Europe. He came to America, thrusting himself into the art scene. He was in and out, in and out, and in and out of America over several years, until finally settling in Los Angeles as an artist, designer, and occasional human crosswalk sign. He is a valuable contributor to the Greater and Grander Artist collective.
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