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Full Moon Print - Limited Edition of 20

Emma Lawrenson

United Kingdom

Printmaking, Screenprinting on Paper

Size: 18.5 W x 23 H x 0.2 D in

Ships in a Tube


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About The Artwork

A handmade, original screen print on finest quality Fabriano 100% cotton paper (285gsm). Two edges have a deckle with looks great when framed. All of my prints are signed on the front, numbered, titled and dated in pencil . Edition size 20 . sold unframed Title: ‘Full Moon’ Paper size: 47 x 59 cm (18.5 x 23 ") Image size: 35.5 x 43cm (14 x 17") This is a recent piece of work, it has a textured appearance in parts of the print. The inks have a lovely chalky quality and work extremely well on the Fabriano paper which is lovely and thick with a slight texture. All of my prints are original artworks in their own right and over time should increase in value. This is different to ‘Limited edition giclee’ prints which are reproductions (inkjet prints from a computer) and not originals. I only use the highest quality materials and traditional techniques so you can always be assured you are getting a gallery quality piece of work. wrapped in tissue and bubble wrap and shipped in a wide sturdy tube for safe delivery.

Details & Dimensions

Printmaking:Screenprinting on Paper

Artist Produced Limited Edition of:20

Size:18.5 W x 23 H x 0.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Emma Lawrenson ARE (British printmaker.) 1973 My passion for printmaking began in 1991.Several years later I was lucky enough to study for an M.A at the Royal College of Art, which was an experience that has shaped my life ever since. I work from my Yorkshire countryside studio, where I endeavour to create thoughtful and harmonious pieces (some geometrical, others more fluid, tactile and organic) with a carefully considered approach to form and space. I approach printmaking as a recording process of ideas, feelings and moments in time; where inspiration is gathered from the changing seasons and fabric of the landscape. I try to preserve these moments and memories through layering and hand-drawn marks, with interactions of subtle colour. I see colour as the poetic language that binds it all together and I work with it intuitively to create ‘quiet’ prints with a feeling of calm. I begin each print by hand-drawing every stencil. The drawings themselves are relatively simple in structure and execution. However it is the whole process of building up the prints, little by little, layer by layer that fascinates me. The formal qualities of printmaking and engagement with the process is what holds the beauty and soul of a finished piece. Some prints are worked into afterwards with pencils or conté crayons. I enjoy making smaller prints that act as a visual diary or ‘sketchbook’ of ideas on old pages, printed spontaneously alongside making works on paper. This process attempts to invite unknowns. It’s more organic, and ‘records’ a specific time where the work is made by chance. These pieces feed back into my work and are a secondary source of inspiration. -------------------------------------------------------------------------------------------------------------- My work has appeared in many magazines including ‘Vogue’, ‘House and Gardens’, ‘Art Review’, ‘Country Living’, ’25 Beautiful Homes’ amongst others. I have had work on film and television sets in America with Universal Studios.

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