"The Hitter" Drawing
Drawing, Ink on Paper
17.5 W x 11 H in
Framed, Ready to Hang
$2,240
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ABOUT THE ARTWORK
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The Hitter Ink on paper Unframed dimensions: 11 x 17.5 2021 This series of drawings are based on photos (both found and my own) and evoke memory and a sense of nostalgia. They are made with acrylic ink on watercolor paper.
Year Created:
2021
Subject:
Mediums:
Drawing, Ink on Paper
Rarity:
One-of-a-kind Artwork
Size:
17.5 W x 11 H x 0.1 D in
Ready to Hang:
Yes
Frame:
White
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
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Charles Buckley was born and raised near the beach in sunny Southern California. He went to California College of Art in Oakland and moved to Brooklyn to attend Hunter College where he got his MFA. His work in private collections across the United States and Europe and he exhibits with the Susan Eley Gallery in New York.
Buckley's current body of work, The Striated Drawings, explores memory, forgetting, and the nature of nostalgia. Made with ink, the drawings are composed entirely of horizontal lines and the negative, undrawn space between them. He had the idea after finding some photographs his father had taken of the moon landing on live television in 1969. The CRT lines of the old tv were prominent and the images evoked a nostalgia within him that he has been investigating ever since.
The works draw from both found and personal photographs, lending them an initial sense of familiarity. But that familiarity is unstable. Up close, representation dissolves into abstraction; the particulars grow hazy and give way to the rhythm of the lines themselves. Much of the pictorial information has been stripped away, yet a sense of narrative integrity remains and the viewer is left to fill in what is missing.
This is precisely the point. Buckley understands forgetting not as a failure of memory, but as its essential condition. Nostalgia, he argues, is produced through what we selectively retain and what we lose. In The Striated Drawings, the line constructs the image while the space between (the absence, the omission) generates its emotional charge. Like nostalgia itself, the closer one looks, the less certain things become.
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