"From the Series "Incomplete Sampling" Number 1" Painting
Painting, Acrylic on Linen
39.4 W x 25.6 H in
Ready to Hang
$1,830
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"Incomplete Sampling Number 1" is part of an ongoing exploration of painting as a rule-based system rather than a vehicle for expression. The series draws on ideas of discrete sampling, grids as structural frameworks, and an underlying continuous order that cannot be fully reconstructed from its vis...
Year Created:
2026
Subject:
Mediums:
Painting, Acrylic on Linen
Rarity:
One-of-a-kind Artwork
Size:
39.4 W x 25.6 H x 1.2 D in
Ready to Hang:
Yes
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Spain.
Customs:
Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Can a line remain a line and nothing more?
My work began with this simple question. Born in Argentina and trained in visual arts, my practice developed through a long engagement with drawing, repetition, and rule-based procedures. Since moving to Europe, my work has gradually shifted from gesture toward structure.
Rather than representing external subjects, I construct simple systems—repeated lines, tensioned strings, or grid-based processes—to observe how order appears and how it begins to dissolve. Each work follows a set of constraints that allow subtle variations and interruptions to occur.
I work on linen prepared with thin layers of gesso so the surface remains present. The ground is not neutral; it carries traces and irregularities that participate in the image. Emptiness functions as an active field rather than a void.
Through repetition the line gradually ceases to describe and begins to organize space, allowing the image to exist less as expression and more as a system where perception can slow down and unfold.
Recognition:
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