







Painting, Acrylic on Hardboard
6.5 W x 6.5 H in
Framed, Ready to Hang
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
"Ribbons & Roses" is an original acrylic painting on hardboard, a tiny abstract artwork bursting with floral energy. This piece evokes the spirit of a vibrant, everlasting bouquet, bringing a touch of optimistic beauty to any space. The artist's expressive brushstrokes and skillful layering of pink...
Year Created:
2025
Subject:
Mediums:
Painting, Acrylic on Hardboard
Rarity:
One-of-a-kind Artwork
Size:
6.5 W x 6.5 H x 2 D in
Ready to Hang:
Yes
Frame:
Gold
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United States.
Need more information?
Contact us.Need more information?
Contact us.I find inspiration in nature — the freedom of its organic shapes, the endless variation of colors, the ever-changing light. But I am also drawn to architectural and geometric forms — their order, structure, and alignment. My work is often about seeking balance and harmony between these two influences.
From representational to abstract, I strive to create dynamic space that is intricate and
layered, but also grounded. I hope the viewer to look, and then look again more closely, and maybe even touch. But I do not want to overwhelm. I still want the painting to offer a resting place. For me, it is important to find moments of stillness within a landscape of complexity and activity.
I paint with oil and cold wax (a medium made of natural beeswax, resin, and solvent) because they complement my love of rich texture while also imparting a lovely translucent quality and matte finish. This encourages experimental approaches and allows for expressive mark-making and the ability to carve into paint layers. I almost never uses brushes in my work, instead favoring putty knives, squeegees, brayers, and other found tools.
I enjoy working intuitively and responsively, exploring different techniques and materials to uncover something unseen or unexpected.

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