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"Octopus and Snake" Drawing

→ Hiromi Oikawa, United States

Drawing, Charcoal on Paper

18 W x 24 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,360

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


She lived in the oppressed world. She didn't have the same rights as men. She had to obey. She was not allowed to express her feelings. She was not allowed to speak out. She was quiet. But she was strong. She had a strong will. She protected herself like a snake. She thought like an Octopus. We need...

Year Created:

2019

Subject:

Mediums:

Drawing, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

18 W x 24 H x 0.1 D in

Ready to Hang:

No

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Contact us.

Need more information?

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Hiromi Oikawa

About the Artist

Hiromi Oikawa

United States

I reside in New York City, but I am originally from Japan.

As I paint and draw more, I have found myself returning to my elusive fascination with the figure - the figure as a “figure” and the strokes that make up that figure. Sometimes the strokes are very fast and carefree; sometimes they are bold, even violent. Sometimes they are like touching the forehead of a sleeping baby. I simply enjoy the rhythm of that process.

I was influenced by my mother, who was an amazing calligrapher, but I am not a calligrapher. My grandfather and great-grandfather were also practicing calligraphers. Why am I a painter and not a calligrapher? That I don’t know.

Over the last decade, I experienced the hardships that everyone has to go through as an adult. As I overcame the pain little by little, I started to appreciate that I’m still alive, and this realization increased my desire to paint people’s emotions more. I did not necessarily want to go through these experiences, but I felt they have made me a better painter than I was before.

I more and more want to capture the momentary beats of life.

Recognition:

  • Artist featured in a collection

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