"Inborn Motion" Painting
Painting, Gesso on Panel
39.4 W x 27.6 H in
Ships in a Crate
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$1,950
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ABOUT THE ARTWORK
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Inborn Motion is an abstract mixed-media artwork that speaks from the origin of movement itself. It is not a depiction of motion at the surface, but a revelation of the stirring energy beneath—an internal pulse that rises into sweeping arcs and fleeting geometries. Crafted with acrylic, chalk, and o...
Year Created:
1990
Subject:
Styles:
Mediums:
Painting, Gesso on Panel
Rarity:
One-of-a-kind Artwork
Size:
39.4 W x 27.6 H x 1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Italy.
Customs:
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Tull Parr’s practice investigates painting as a tectonic field shaped by bodily force. Each work registers movement not as expressive flourish but as structural pressure — displacement, compression, rupture.
Formed during her first year at the Academy of Fine Arts under the guidance of Emilio Vedova, Parr’s approach to surface evolved through an understanding of linee di forza: vectors of energy that reorganise space rather than decorate it.
Working with layered oil, pigmented wax and raw materials, she constructs dense material strata where gesture becomes embedded sediment. The pictorial field operates as terrain — marked by fault lines, accumulations and zones of tension.
Scale shifts continuously. The intimate motion of the body expands into macro-topography. Surface becomes an active ground where force is recorded and reactivated through viewing.
For Parr, painting is not representation but energetic construction — a site where body, material and spatial logic converge.
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