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Painting, Acrylic on Canvas

35 W x 45.7 H in

Ready to Hang

$3,410

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Ce tableau fait parti d'une série commencée en 2015 où il est question d'identité.

Year Created:

2020

Subject:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

35 W x 45.7 H x 1 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

Need more information?

Contact us.

Need more information?

Contact us.
Elodie Jammes

About the Artist

Elodie Jammes

France

Architecte de formation, je me suis longtemps construite dans une approche du monde faite de lignes et de structures. La création fait partie de ma vie depuis l’enfance. Très tôt, le besoin de dessiner, d’inventer, de faire apparaître des formes s’est imposé comme un langage naturel.

En 2012, la peinture a pris toute sa place. Non pas comme une rupture, mais comme un retour à cet élan originel. Une façon plus directe, plus instinctive, d’habiter le réel.

Depuis, je peins.

Peindre est pour moi un élan vital. Une manière d’entrer en relation avec ce qui est là, visible ou invisible. Ce n’est pas un geste illustratif, ni démonstratif. C’est une recherche. Une traversée. Une tentative de saisir quelque chose de juste, de sensible, de profondément humain.

Mon travail se déploie à travers des formes variées : paysages, portraits, abstractions. Ces directions ne sont pas des styles séparés, mais des langages complémentaires. Elles répondent à une même nécessité : explorer la présence.

Le paysage est un espace de respiration, une immersion. Le portrait est une rencontre, une tension entre l’intime et l’universel. L’abstraction, quant à elle, me permet d’approcher ce qui ne peut être nommé, ce qui échappe à la forme mais insiste.

Ce qui relie ces pratiques, c’est une même attention : être au plus près d’une sensation vraie. Travailler dans l’écoute. Laisser émerger.

Mon parcours est nourri d’expérimentations et de recherches, mais il reste avant tout guidé par une exigence intérieure : peindre avec sincérité. Ne pas chercher à plaire, mais à être juste.

Chaque toile est une tentative d’équilibre entre maîtrise et abandon, entre construction et lâcher-prise. Un endroit où quelque chose peut advenir.

Peindre, pour moi, c’est rester vivante à ce qui traverse.

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